Katarzyna Kozyra’s installation The Rite of Spring draws upon Vaslav Nijinsky’s famous choreography to Igor Stravinsky’s composition. An iconic performance that took place in Paris in 1913 changed the thinking of both dance and contemporary music, and was frequently reinterpreted.
Objects and costumes must be works of art, not decoration which is discarded once it has been used. This is what makes the Cricot 2 Theatre a unique and purely artistic phenomenon – Tadeusz Kantor
‘My childhood has a profound influence on what I create now,’ says Katarzyna Szweda. Her photographs are an extension of the artist’s relationship with the presented landscapes. A relationship so close it is almost corporeal.
The exhibition evokes questions about the rank and status of objects. Goplana with Elves were not meant to be a decoration, but to “embody a stage character”. For Kantor, the object as a “form – a spatial sculpture with a…
“Thirty to Tomorrow” is a temporary group exhibition created by Robert Kuśmirowski in collaboration with curators Magdalena Ujma-Gawlik and Kamil Kuitkowski, with the participation of artists Marek Chlanda, Andrzej Dudek Dürer, Krzysztof Leon Dziemaszkiewicz, Jan Gryka, Mikołaj Smoczyński, Maciej Świeszewski…
The exhibition poses questions about the actuality of the process of multiplication. Is creativity unequivocal with the so-called work of art? Does multiplication compromise the artwork or does it provide an opportunity to go beyond its limits?
